The current sleeve for Hatful of Hollow is the CD issue sleeve, featuring a cropped photograph of the otherwise unknown Fabrice Colette taken by Gilles Decroix. The original sleeve, pictured above, included a tattoo of a Jean Cocteau drawing on Colette's left shoulder, which Colette commissioned in June 1983 because he idolised Cocteau. The photograph is taken from a July 1983 special edition of the French newspaper Libération. [13] Additionally, the old cover had a large sky-blue frame with the legends "The Smiths" and "Hatful of Hollow" above and underneath the picture. Editions after 1987 feature the cropped version with the text superimposed, although the 2011 vinyl re-issue reinstated the original sleeve. For Jensen on 25 August, 1983 (broadcast 5 September): " Accept Yourself", "I Don't Owe You Anything", "Pretty Girls Make Graves", "Reel Around the Fountain" Still Ill" opens and closes with a harmonica solo, and sounds less hollow and slightly slower than the version on The Smiths. The Smiths, to me, were one of the bands that it was okay to like if you were 'alternative', but didn't possess many of the harsh characterstics of many other punk-inspired bands. The Smiths were a pop band, through and through.

Power, Tony (October 2004). "The Smiths: Hatful of Hollow". Blender. Vol.3, no.8. Archived from the original on 30 June 2006 . Retrieved 25 January 2022.The radio session versions of songs are different from other studio recordings. Some of the major differences are: These Things Take Time" features bass that is more prominent and drums that are less controlled than in the version from the "What Difference Does It Make?" 12" single. Sliding guitar figures accompany the chorus. I only own _Hatful of Hollow_ and _Singles_ by the Smiths, but that's enough to know that they are one of the best bands of the 80s.

Hatful of Hollow Class T-Shirt: Silky and soft "Triblend" single jersey.The Smiths 'Hatful of Hollow' T-Shirt. 1983 photo taken by Gilles Decroix for Liberation french magazine of a Attempting to do this album justice is simply not possible. Every song on the album is a flawless testament to the genius of one of the oddest pairs in pop music history. Morrissey and Marr bounced off each other in a way they have never been able to match since. Listen to Hatful of Hollow and you will hear two of the best minds in pop music at work. Vote up content that is on-topic, within the rules/guidelines, and will likely stay relevant long-term.Cavanagh, D, 1993. Irreproachable: The Smiths: the very best of British?. Q Magazine, 1 December 1993. Fletcher, T, 2012. A Light That Never Goes Out: The Enduring Saga of the Smiths. 1st ed. U.K.: Random House. p. 355. Me gusta muchooo como suena pero en la mayoría de temas siento que le falta peso(el bajo suena muy delgado) sin embargo los temas “acústicos” suenan realmente hermosos, otro detalle sería que aveces siento que la voz suena muy bajita pero en general me gusta mucho.