Notably, this includes the two TMP-centric parts of Roger Lay Jr’s excellent documentaries from the 50th anniversary boxed set. a b Ellison, Harlan (March 10, 2015). Harlan Ellison's Watching: Stories. Open Road Media. p.218. ISBN 978-1-4976-0411-7. Archived from the original on November 18, 2020 . Retrieved June 8, 2018. In the 23rd century, a Starfleet monitoring station, Epsilon Nine, detects an alien entity, hidden in a massive cloud of energy, moving through space toward Earth. The cloud easily destroys three Klingon warships and Epsilon Nine on its course. On Earth, the starship Enterprise is undergoing a major refit; its former commanding officer, James T. Kirk, has been promoted to Admiral. Starfleet Command assigns Enterprise to intercept the cloud entity, as the ship is the only one within range, requiring its new systems to be tested in transit. Paramount has released a portion of the deleted scene where Kirk prepares to broadcast a message down to engineering in the hopes that it will sway the Ilia probe. Star Trek: The Motion Picture—The Director’s Edition 4K Ultra HD box Star Trek: The Motion Picture—The Director’s Edition—The Complete Adventure 4K Ultra HD

STAR TREK: THE MOTION PICTURE Review — The Remastered STAR TREK: THE MOTION PICTURE

Many critics felt that the special effects overshadowed other elements of the film. Canby wrote that the film "owes more to [Trumbull, Dykstra and Michelson] than it does to the director, the writers or even the producer". [108] Livingston felt that Trumbull and Dykstra's work on the film was not as impressive as on Star Wars and Close Encounters due to the limited amount of production time. [102] Godfrey called the effects "stunning", but conceded that they threatened to overpower the story two-thirds of the way into the film. [106] Kroll, Martin, and Arnold agreed that the effects were not able to carry the film or gloss over its other deficiencies: "I'm not sure that Trumbull & Co. have succeeded in pulling the philosophic chestnuts of Roddenberry and his co-writers out of the fire", Arnold wrote. [101] [107] [109] Adam, Ken; Frayling, Christopher (November 27, 2008). Ken Adam Designs the Movies: James Bond and Beyond. London: Thames & Hudson. p.189. ISBN 978-0500514146. Two members of Wise's production company, David C. Fein and Michael Matessino, approached Wise and Paramount and persuaded them to release a revised version of the film on video; Paramount released the updated Director's Edition of the film on VHS and DVD on November 6, 2001. [75] Wise, who had considered the theatrical presentation of the film a "rough cut", was given the opportunity to re-edit the film to be more consistent with his original vision. The production team used the original script, surviving sequence storyboards, memos, and the director's recollections. In addition to cuts in some sequences, 90 new and redesigned computer-generated images were created. [76] Care was taken that the effects meshed seamlessly with the old footage. [48] The edition runs 136minutes, about four minutes longer than the original release. [77] Included among the special features are the deleted scenes which had been part of the television cut. [72] George Takei as Hikaru Sulu, the Enterprise 's helmsman. In his autobiography, Takei described the film's shooting schedule as "astonishingly luxurious", but noted that frequent script rewrites during production "usually favored Bill" [Shatner]. [14] Goldsmit, Jerry". Startrek.com. Archived from the original on November 28, 2010 . Retrieved November 3, 2010.

Take me over, please

Star Trek: The Original Series wowed TV audiences with the boundlessness of space a decade before Star Wars hit the Big Screen, but its first motion picture had to deal with a world post-Star Wars.

Star Trek: The Motion Picture – The Director’s Review: ‘Star Trek: The Motion Picture – The Director’s

The shot of the away party coming out of the hatch to stand on the saucer was replaced with a CG version of the same actions, almost perfectly down to the timing of the movements from the original plate. The tiles now appear in front of them one-by-one, animated on the two’s to emulate the feeling of using 70’s animation techniques in 2001. The 2022 version animates every frame. October 29, 2023 | Ensign Ro And Dr. Gillian Taylor To Return In ‘Deep Space Nine’ Prequel And TOS Movie Era Novels

Star Trek: The Motion Picture 4K Audio

A nacelle was added to the original window for the 2001 version. The 2022 version removed the entire wall and replaced it with a new matte of the Officer’s Lounge window with a CG nacelle in view. V’ger’s rings As in this post, fretting over the details of a missing travel pod on a clustery, overly-complex model in tight focus are unimportant unless your doing a jarring jump-cut to close-up of the travel pod. The new 4K restoration really brings out the details to a level not seen before and the new sound mix really stands out, giving the movie a richer soundscape. The pulsing sound of the warp engines as they spin up was something I’d never really noticed before for example. a b Harmetz, Aljean (November 2, 1986). "NEW 'STAR TREK' PLAN REFLECTS SYMBIOSIS OF TV AND MOVIES". The New York Times. Archived from the original on November 12, 2017 . Retrieved May 21, 2020. In 1983, an extended cut premiered on the ABC television network. [71] It added roughly 12minutes to the film. [48] The added footage was largely unfinished, and cobbled together for the network premiere; Wise had not wanted some of the footage to be included in the final cut of the film. [72] This "Special Longer Version" was released on VHS, Betamax and LaserDisc by Paramount in 1983 in pan and scan format. [73] [74]

Star Trek: The Motion Picture’ 4K Director’s Edition To ‘Star Trek: The Motion Picture’ 4K Director’s Edition To

a b Canby, Vincent (December 8, 1979). "The Screen: 'Star Trek,' Based on TV". The New York Times. Archived from the original on November 18, 2020 . Retrieved December 5, 2011. The bridge ceiling was redesigned, with Michelson taking structural inspiration from a jet engine fan. Minor built a central bubble for the ceiling to give the bridge a human touch. Ostensibly, the bubble functioned as a piece of sophisticated equipment designed to inform the captain of the ship's attitude. Most of the bridge consoles, designed by Lee Cole, remained from the scrapped television series. Cole remained on the motion picture production and was responsible for much of the visual artwork created. To inform actors and series writers, Lee prepared an Enterprise Flight Manual as a continuity guide to control functions. It was necessary for all the main cast to be familiar with control sequences at their stations as each panel was activated by touch via heat-sensitive plates. [15] :85–6 The wattage of the light bulbs beneath the plastic console buttons was reduced from 25watts to 6watts after the generated heat began melting the controls. [15] :160 The seats were covered in girdle material, used because of its stretching capacity and ability to be easily dyed. [15] :88 For the science station, two consoles were rigged for hydraulic operation so that they could be rolled into the walls when not in use, but the system was disconnected when the crew discovered it would be easier to move them by hand. [15] :160Star Trek: The Motion Picture – The Director’s Edition has come home in three editions. A 2-disc Ultra HD Blu-ray set, a 2-disc standard Blu-ray set, and a special limited edition 3-disc Ultra HD Blu-ray set called “The Complete Adventure.” This review will focus on the Ultra HD Blu-ray set and the US version of the limited edition box set. The Motion Picture a b McQuarrie, Ralph (2007). The Art of Ralph McQuarrie. Dreams & Visions Press. p.124. ISBN 978-0979158001. In addition to his work on the various iterations of Star Trek: The Motion Picture, Drew’s blog Star Wars Visual Comparisons also contains a forensic analysis of the many versions of the original Star Wars trilogy. Last chance to see on the big screen