Short Fiction: Orientations, 1899; The Trembling of a Leaf: Little Stories of the South Sea Islands, 1921; The Casuarina Tree: Six Stories, 1926; Ashenden: Or, The British Agent, 1928; Six Stories Written in the First Person Singular, 1931; Ah King: Six Stories, 1933; East and West: The Collected Short Stories, 1934; Cosmopolitans, 1936; The Favorite Short Stories of W. Somerset Maugham, 1937; The Round Dozen, 1939; The Mixture as Before: Short Stories, 1940; Creatures of Circumstances: Short Stories, 1947; East of Suez: Great Stories of the Tropics, 1948; Here and There: Selected Short Stories, 1948; The Complete Short Stories, 1951; The World Over, 1952; Seventeen Lost Stories, 1969. Situated inside Manchester’s famous Royal Exchange, Razors Edge is a dynamic hair salon offering the very best in haircuts and colours. With their striking interior housing some of the finest talents in the industry, they create bespoke looks that are guaranteed to turn heads.

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Holden, Philip. Orienting Masculinity, Orienting Nation: W. Somerset Maugham’s Exotic Fiction. Westport, Conn.: Greenwood Press, 1996. Cordell, Richard A. Somerset Maugham, a Writer for All Seasons: A Biographical and Critical Study. 2d ed. Bloomington: Indiana University Press, 1969. A veteran with good connections and a sharp mind, he could easily go into business and start making big money just like his friends. To Isabel’s dismay, he turns down one good opportunity after another. In an attempt to clarify what his plans are, she asks him directly. Larry’s intention is to go to Paris and try to gain needed knowledge. He and Isabel decide to marry later.Through the eyes of the narrator, who happens to be a minor character and a writer, we follow Larry’s both spiritual and literal journey. During one of his rare visits to Chicago, Elliot Templeton, an art dealer and the biggest snob in Paris, invites his old acquaintance, the narrator, to a lunch at his sister’s house. He meets Larry there, a young man, who immediately catches his interest.

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Mr. Maugham” reports the story as the major characters reveal it in their conversations. Isabel Bradley is in love with Larry Darrel but sensibly marries the successful Gray Maturin, only to find that after Gray loses his assets during the Depression, she and her husband and their two daughters must live on the generosity of her uncle Elliott. Larry, whose main interest in life is the study of philosophy and religion, attempts to marry Sophie Macdonald to save her from a dissolute life, an effort that Isabel shrewdly thwarts. Larry goes to a Benedictine monastery in France, later leaving it to study the Hindu religion in India. Returning from India at the end of the novel, he gives up his independent income and resolves to find work in New York driving a taxi. The Maturins move from Paris to Dallas, where Gray has secured an executive position in an oil company. The plot covers more than a decade, with the settings in France, England, and America. “Mr. Maugham,” like the young Philip Carey, seeks a pattern in the lives of those he has met, and he finds that each life in The Razor’s Edge has been a success. Even Sophie Macdonald, whose trauma caused her to seek death, found what she was seeking. W. Somerset Maugham’s (25 January 1874 – 16 December 1965) twenty novels are exceptionally uneven; the first eight, though interesting, suggest the efforts of a young novelist to discover where his talent lies. From the publication of Of Human Bondage (1915) through The Razor’s Edge (1944), he produced his most significant prose works. During this period, he was a worldfamous man of letters with a following of many thousands who would buy and read anything he wrote; however, a few novels that he produced, such as Then and Now and Up at the Villa, were not in his best vein. The novels brought Maugham acclaim and recognition both from a general audience and from the intelligentsia. Among common readers, he was perhaps the most successful English novelist of the twentieth century, and, as Samuel Johnson pointed out, the common reader is not often wrong. Yet, it must be admitted that Maugham’s detractors, such as Edmund Wilson, present valid criticism: One expects a serious artist to exert an important influence, either thematic or formal, upon his medium. The symphony was forever altered by Ludwig van Beethoven; no similar statement can be made about Maugham and the novel. He sought to tell a story with clarity and grace, to embody a set of attitudes and values, and to entertain his readers with insights into character and life. Tags: Analysis of W. Somerset Maugham's Novel Cakes and Ale, Analysis of W. Somerset Maugham's Novel Liza of Lambeth, Analysis of W. Somerset Maugham's Novel Of Human Bondage, Analysis of W. 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Established in 1970, the Razors Edge brand has been catering to Manchester's diverse clientele for over 40 years. A key part of their long standing success is their passion for progression, with their staff keeping up to date with the latest trends to make sure you remain at the forefront of fashion. They also use high quality products and brands such as Redken, L'Oréal and ghd to provide a premium service, ensuring glamorous looks and a long lasting finish. Priding themselves on their creativity and talent, Razors Edge leave you with beautiful, confidence boosting hair with every visit. Reflecting upon happiness, Philip is puzzled as to how this quality fits as a purpose in life, since his own is unhappy. He observes that happiness eludes people such as the dancers at the Bal Bullier in Paris who pursue it frenetically. Those who seek happiness through the enjoyment of art waste their lives, and those who struggle to create art seldom find happiness, even when they succeed. Yet, the paintings of El Greco suggest to Philip that the will of humankind is powerful, that life can be made meaningful through struggle. After this realization, Philip comes to understand the secret of a piece of Persian rug given him by an eccentric poet. The poet told him that the rug held the key to the meaning of life, but he refused to explain the puzzle to Philip. The solution becomes apparent to Philip years later, after much searching for it: Life has no meaning. There is no set of obligations by which a person must live, no certain path to follow. With this bleak conclusion, Philip comes to another realization: Like the weaver of the carpet, a person may choose the strands that please his aesthetic sense and make a pattern of his life satisfying to his own taste. Happiness and pain are important only as strands in the design. Though people are under no obligation to create a design, they are free to do so if they choose; or, if they reject freedom of the will, it may seem that they are free. Life for Philip, then, has purpose because he wills to endow it with purpose—a conclusion primarily existential but also in accord with Schopenhauer’s view of people’s will. The Moon and Sixpence