Colours can be bold and vivid when required (I found more-or-less any sports team’s kit falls into this category), or muted and nuanced if necessary (more-or-less any sports team’s manager’s clothing, for example). Gradations made me sit up and pay attention too – so when I was watching football, the numerous almost-identical shades of green from a pitch are described and differentiated well. The Samsung BU8500 is impressively slim, but this does limit what its speakers can do. (Image credit: Future) Samsung BU8500 review: Sound quality The Samsung BU8500's ports are largely easy to access. (Image credit: Future) Samsung BU8500 review: Features

And where edge definition and motion control are concerned, the Samsung UE50AU9000 is similarly confident. With content of this standard there’s just no suggestion of the Samsung losing its grip of on-screen movement, and it draws edges with a deft and steady hand. There’s a definite suggestion of three-dimensionality to the 50AU9000’s images that most comparably priced alternatives would struggle to match.

Elsewhere, the 4K HDR10+ news is equally good. Detail levels are high across the board, and the amount of information the Samsung loads into skin-tones in particular is impressive. Colours are natural and convincing, with a degree of vibrancy when required but never over-driven. Plus, they’re wide-ranging enough to give expression to even subtle differences in shade or tone. Gamers may hanker after full HDMI 2.1 capability to really maximise the potential of their new PS5 or Xbox Series X – but, then again, gamers really ought to know that’ it’s going to cost them a wee bit more than this. It’s not uncommon for a mainstream TV to betray its price-point more readily with the sound it makes than with the images it produces. And so it proves with the Samsung AU9000 TV.

After watching all sorts of content, I noticed that edge definition is also handled well, so edges are drawn confidently and with real positivity. Only when combined with properly testing on-screen motion are edges anything less than smooth, and only when on-screen motion gets properly complex does the Samsung do anything except grip movement with real determination. Only in extremis does the AU9000’s Crystal Processor 4K give the slightest hint of how hard it’s working. To give the Samsung 50AU9000 some credit, at least it doesn’t become unlistenable at serious volumes – which is a trait that afflicts plenty of its rivals. It just gets louder. But the tonal quality of its sound is nothing to write home about. The bezel across the bottom is a little wider, and stands proud of the screen just a little, but I wouldn’t call it unsightly. ‘Inoffensive’ is sometimes a put-down, but not in this instance. Look directly at it when the TV isn’t switched on, and this Samsung is the best sort of inoffensive. It’s going to come as no great surprise to learn that the Samsung does its verybest work when given the very best content to work with. And, in light of its specification, the very best content turns out to be some native 4K material with HDR10+ as the cherry on top.The Samsung AU9000 includes the full Tizen-powered smart platform and it’s responsive, intuitive and easy to navigate. There’s a launcher bar along the bottom and a second layer that provides faster access to the various streaming services. There are two ways to consider the design of the 50AU9000. The first is from straight-on, because that’s how you’ll be watching it. And when viewed this way, the Samsung is completely anonymous – but in a good way. After all, very few people want their TV to draw attention to itself, so design flourishes are pretty rare. The Samsung AU9000 is mostly screen, with quite narrow bezels across the top and down each side. It’s fair to say this last part is a red herring. The point-source of sound from the Samsung is hazy, certainly, but that’s not the same as delivering an impression of height – not at all. And as far as tonality goes, the 50AU9000 sounds tentative and rather flat. It’s game, certainly – wind the volume upwards and it resists hardening or coarsening quite commendably. But really, it’s as far removed from the standard of the images the Samsung produces as these things ever are.

That’s unless you want to use Samsung’s Smart Things control app, at least. It’s a clean interface, and performs stably – but it’s quite nosy. Short of inside leg measurement, there’s very little it doesn’t want to know about you, which some folks are guaranteed to find off-putting.

While white tones hardly pop from the screen, they’re clean and equally detailed – so while contrasts are far from the widest you’ve ever seen (even at this unremarkable price-point), they’re convincing nevertheless. It’s quite distinct through the mid-range and, again, quite decent levels of detail. Voices project forwards well, and they're actually quite nicely balanced – until they start to nudge into the upper frequency range. Once it reaches the higher frequencies, the BU8500 becomes quite hard and edgy, bringing sibilance and even a hint of coarseness to treble sounds. It’s a trait that’s only exacerbated by volume. That’s a positive, though. At a touch over 25mm deep for our 55-inch version, the chassis is enviably slim, and the bezels surrounding the screen are minimal too. It can be wall-mounted, of course. If you don’t fancy that option, though, and would rather stand your new TV on a surface, the Samsung’s feet are usefully close together, so your surface needn’t be as wide as the screen itself.

So not for the first time (and almost certainly not for the last), Samsung has managed to hit a price-point without too many obvious compromises. It's absolutely one of the best Samsung TVs available today for those on a budget. Samsung BU8500 review: Price and release dateThe Samsung AU9000 isn’t the first TV to deliver a sound quite strongly at odds with the pictures it is capable of serving up, and it won’t be the last. But nevertheless, I discovered that there is something quite dispiriting about the Samsung’s sonic performance. What it does do quite comprehensively, though, is make the source point of sound vague and hazy. And while there are worse-sounding TVs out there, there aren’t that many that sound as resolutely matter of fact and unengaged as the 50AU9000. As is usual with Samsung – and for reasons that only look more pig-headed with every passing day – there’s no Dolby Vision dynamic metadata on board here. So, despite the fact that the world’s most popular subscription video streaming service has its app front-and-centre on the Samsung’s Tizen smart TV interface, the 50AU9000 isn’t able to exploit that service’s potential. The Samsung AU9000 reveals its budget nature most obviously when handling HDR content, especially when it comes to peak brightness. The TV can hit around 300cd/m² on both a 10% window and full-field pattern in Dynamic mode, but in Filmmaker Mode this luminance drops to around 250cd/m² on both a 10% and a full-field pattern. There are three HDMI 2.0 inputs, one of which (HDMI 2) supports eARC, and all of which are capable of handling 4K resolution at 60Hz, CEC, Variable Refresh Rate (VRR) and Auto Low Latency Mode (ALLM) – making this TV a solid choice for gamers. There are also two USB 2.0 inputs, a terrestrial tuner, a CI slot, an optical digital output, and an Ethernet port for a wired connection. In terms of wireless connections, both Wi-Fi and Bluetooth 5.2 are supported.