Yes, there is a risk when accepting the Griffiths and Reynolds collection, excellent as it is, as the dominant model for Dante in English. The risk is that it could limit awareness of Dante’s impact mostly to white Anglo-Saxon (and Celtic) poets. Although they do include one Caribbean author, Derek Walcott. Boccaccio also quotes the initial triplet:"Ultima regna canam fluvido contermina mundo, / spiritibus quae lata patent, quae premia solvunt / pro meritis cuicumque suis". For translation and more, see Guyda Armstrong, Review of Giovanni Boccaccio. Life of Dante. J. G. Nichols, trans. London: Hesperus Press, 2002. In the spring of 1312, Dante seemed to have gone with the other exiles to meet up with the new emperor at Pisa (Henry’s rise was sustained, and he was named Holy Roman Emperor in 1312), but again, his exact whereabouts during this period are uncertain. By 1314, however, Dante had completed the Inferno, the segment of The Divine Comedy set in hell, and in 1317 he settled at Ravenna and there completed The Divine Comedy (soon before his death in 1321). Florence eventually came to regret having exiled Dante. The city made repeated requests for the return of his remains. The custodians of the body in Ravenna refused, at one point going so far as to conceal the bones in a false wall of the monastery. Florence built a tomb for Dante in 1829, in the Basilica of Santa Croce. That tomb has been empty ever since, with Dante's body remaining in Ravenna. The front of his tomb in Florence reads Onorate l'altissimo poeta — which roughly translates as "Honor the most exalted poet" and is a quote from the fourth canto of the Inferno. [55] Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to educated readers. His De vulgari eloquentia ( On Eloquence in the Vernacular) was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as The New Life (1295) and Divine Comedy helped establish the modern-day standardized Italian language. By writing his poem in the Italian vernacular rather than in Latin, Dante influenced the course of literary development, making Italian the literary language in western Europe for several centuries. [11] His work set a precedent that important Italian writers such as Petrarch and Boccaccio would later follow.

Dante Alighieri - Wikipedia

Dante was born in Florence, Republic of Florence, in what is now Italy. The exact date of his birth is unknown, although it is generally believed to be around 1265. [18] This can be deduced from autobiographic allusions in the Divine Comedy. Its first section, the Inferno, begins, "Nel mezzo del cammin di nostra vita" ("Midway upon the journey of our life"), implying that Dante was around 35 years old, since the average lifespan according to the Bible (Psalm 89:10, Vulgate) is 70 years; and since his imaginary travel to the netherworld took place in 1300, he was most probably born around 1265. Some verses of the Paradiso section of the Divine Comedy also provide a possible clue that he was born under the sign of Gemini: "As I revolved with the eternal twins, I saw revealed, from hills to river outlets, the threshing-floor that makes us so ferocious" (XXII 151–154). In 1265, the sun was in Gemini between approximately 11 May and 11 June ( Julian calendar). [19]In Dante's Commedia: Theology as Poetry, an international group of theologians and Dante scholars provide a uniquely rich set of perspectives focused on the relationship between theology and poetry in the Commedia. Examining Dante's treatment of questions of language, personhood, and the body; his engagement with the theological tradition he inherited; and the implications of his work for contemporary theology, the contributors argue for the close intersection of theology and poetry in the text as well as the importance of theology for Dante studies. Through discussion of issues ranging from Dante's use of imagery of the Church to the significance… There was some debate about the historical Beatrice – is she a symbolic figure, symbolising theology, or was she a real person?” A series of lectures, called ‘Decentring Dante’, will take place at the ICI Berlin Institute for Cultural Inquiry, celebrating the publication of the Handbook. The lecture series will suggest ways of reading Dante’s Comedy from a less central position and with a broader, more critical perspective. How can discussions of race in the Middle Ages and the attentiveness to indigenous forms of knowledge preservation help literary scholars to rethink their understanding of ’canonicity’ and the ’canonical‘? On what basis can canonical authors such as Dante, Chaucer, and Christine de Pizan continue to be read today? In what sense and at what cost can Dante inspire other poets? What does he mean, more specifically, to a woman writer and artist in Jamaica? What changes when Dante’s Virgil is read not only as part of the Christian reception of classical authors in the Middle Ages, but also in dialogue with the practices of ancient pedagogy? Does the queer desire informing the Aeneid also flow through Dante’s poem? Main article: Purgatorio Dante, accompanied by Virgil, consoles the souls of the envious, from the Canto III of Purgatorio

Dante (Warhammer 40,000) by Guy Haley | Goodreads Dante (Warhammer 40,000) by Guy Haley | Goodreads

Beyond Dante’s suggestion that faith in Christ through reason is the key to salvation, not the sacraments of the Church, it’s hard to think of a literary work so powerfully condemnatory of so many aspects of Roman Catholicism that exists before The Divine Comedy. He deplores the Church’s sale of indulgences and imagines many popes damned to Hell, with an entire line of 13th- and early 14th-Century pontiffs doomed to burn in an eternal flame for the crime of simony (the buying or selling of ecclesiastical privileges) until the pope following them dies and takes their place in the scorching. Dante also has a surprisingly global outlook, one quite fair to non-Christians. He heaps praise on the Saracen general Saladin, who he imagines merely occupying a place in Limbo, the place where the Just live who did not have faith in Christ in their lifetimes. There’s even a suggestion that there can be exceptions for those who did not know Christ but were Just, allowing them to ascend to Heaven. Peter E. Bondanella, The Inferno, Introduction, p.xliii, Barnes & Noble Classics, 2003, ISBN 1-59308-051-4: "the key fiction of the Divine Comedy is that the poem is true." Moore, Edward. Studies in Dante, First Series: Scripture and Classical Authors in Dante, Oxford: Clarendon, 1969 {1896}, pg. 4. Dante's final days were spent in Ravenna, where he had been invited to stay in the city in 1318 by its prince, Guido II da Polenta. Dante died in Ravenna on 14 September 1321, aged about 56, of quartan malaria contracted while returning from a diplomatic mission to the Republic of Venice. He was attended by his three children, and possibly by Gemma Donati, and by friends and admirers he had in the city. [51] He was buried in Ravenna at the Church of San Pier Maggiore (later called Basilica di San Francesco). Bernardo Bembo, praetor of Venice, erected a tomb for him in 1483. [52] [53]In 1919, Miguel Asín Palacios, a Spanish scholar and a Catholic priest, published La Escatología musulmana en la Divina Comedia ( Islamic Eschatology in the Divine Comedy), an account of parallels between early Islamic philosophy and the Divine Comedy. Palacios argued that Dante derived many features of and episodes about the hereafter from the spiritual writings of Ibn Arabi and from the Isra and Mi'raj or night journey of Muhammad to heaven. The latter is described in the ahadith and the Kitab al Miraj (translated into Latin in 1264 or shortly before [68] as Liber scalae Machometi, "The Book of Muhammad's Ladder"), and has significant similarities to the Paradiso, such as a sevenfold division of Paradise, although this is not unique to the Kitab al Miraj or Islamic cosmology. [69] Putting the Commedia aside for a moment, how important are his other works? How do they sit alongside the Commedia? Italy's first dreadnought battleship was completed in 1913 and named Dante Alighieri in honor of him. [65] Trone, George Andrew (2000). "Exile". In Lansing, Richard (ed.). The Dante Encyclopedia. London and New York: Routledge. ISBN 978-0-41587-611-7.

Dante and The Divine Comedy: He took us on a tour of Hell - BBC Dante and The Divine Comedy: He took us on a tour of Hell - BBC

We ask experts to recommend the five best books in their subject and explain their selection in an interview. Maier, Harry O. (2007). "Review of Die Visio Pauli: Wege und Wandlungen einer orientalischen Apokryphe im lateinischen Mittelalter, unter Einschluß der alttschechischen und deutschsprachigen Textzeugen". Speculum. 82 (4): 1000–1002. doi: 10.1017/S0038713400011647. JSTOR 20466112.Dante travels through the centre of the Earth in the Inferno, and comments on the resulting change in the direction of gravity in CantoXXXIV (lines 76–120). A little earlier (XXXIII, 102–105), he queries the existence of wind in the frozen inner circle of hell, since it has no temperature differentials. [49] Galileo Galilei's copy of the first Giolito edition of the poem (1555) Unrhymed terzines. The first U.S. translation, raising American interest in the poem. It is still widely available, including online. Literary influence in the English-speaking world and beyond [ edit ] A detail from one of Sandro Botticelli's illustrations for Inferno, Canto XVIII, 1480s. Silverpoint on parchment, completed in pen and ink. In 2007, a reconstruction of Dante's face was undertaken in a collaborative project. Artists from the University of Pisa and forensic engineers at the University of Bologna at Forlì constructed the model, portraying Dante's features as somewhat different from what was once thought. [71] [72] A celebration was held