In 1998, [4] Vivian Blaine, Sam Levene, Robert Alda and Isabel Bigley, along with the original Broadway cast of the 1950 Decca cast album, were What fascinated me most about "Guys and Dolls" was the author's uncanny ability to bring a unique era in a place that very few people ever experienced so vividly to life that the reader soon finds himself totally immersed in the everyday dealings of characters with weird names like Regret, Nathan Detroit, Big Nig, Sky Masterson, and Little Miss Marker; just to name a very few. Theatre includes A Midsummer Night’s Dream, Young Marx and Julius Caesar at The Bridge; The Tragedy of Macbeth at the Almeida; Small Island, Salome, The Plough and the Stars, Othello, As You Like It, Our Country’s Good, Rules For Living, Hotel, The Curious Incident of the Dog in the Night-Time (also West End), The Comedy of Errors, One Man, Two Guvnors (also West End, Broadway & world tour), Frankenstein, Season’s Greetings, Hamlet, Women Beware Women and War Horse (also West End) for the National Theatre. Bacon, James (29 May 1955). "Goldwyn Sets Precedents in 'Guys, Dolls' ". Reading Eagle (Associated Press) . Retrieved 19 February 2014.

An Australian remount of the Michael Grandage West End production of Guys and Dolls opened in Melbourne, Australia on April 5, 2008. The show starred Lisa McCune, Marina Prior, Garry McDonald, Ian Stenlake, Shane Jacobson, Wayne Scott Kermond, and Magda Szubanski, and ran at the Princess Theatre. [79] The Melbourne season closed in August 2008 and transferred to Sydney from March 13, 2009, to May 31, 2009, at the Capitol Theatre, retaining the Melbourne cast. [80] Treneman, Ann (2017-12-08). "Theatre review: Guys and Dolls at the Royal Exchange Theatre, Manchester". The Times. Simonson, Robert, and Ehren, Christine (January 23, 2001). "Arena Stage Guys and Dolls to Tour U.S. Starting Fall 2001; Goal Is Bway". Playbill. London Theatre couldn’t stop shouting about the show, saying: “ “You’ve simply gotta gamble”. And when it pays off, as [director Nicholas] Hytner proves, the rewards are boundless.” Mordden, Ethan (1988). Broadway Babies: The People Who Made the American Musical. Oxford University Press US. p. 230.

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Lahr, John (March 9, 2009). "Broadway Boogie-Woogie: Guys and Dolls Rolls the Dice Again". The New Yorker. Brantley (Ben March 2, 2009). "It’s a Cinch That the Bum Is Under the Thumb of Some Little Broad". The New York Times. With the staging duly drooled over, let’s talk about ‘Guys and Dolls’ itself. Loessner’s musical – with book by Jo Swerling and Abe Burrows – is an immaculately structured comedy bursting with deathless one-liners and wonderful characters that follows an assortment of lovelorn New York City lowlifes at the seedy height of Prohibition. Loesser, Susan (1993).: A Most Remarkable Fella: Frank Loesser and the Guys and Dolls in His Life. New York: Donald I. Fine. ISBN 0-634-00927-3.

O. Henry wrote about children, the poor, and the good in almost everyone. Bradbury wrote science fiction, and Runyon wrote about the Broadway of the Roaring Twenties and Gangster era of the nineteen thirties; most famously recounted in the thirty-two short-stories that make up the anthology, "Guys and Dolls".

Book Guys and Dolls Tickets at the Bridge Theatre

a b Cohn, Lawrence (October 15, 1990). "All Time Film Rental Champs". Variety. p.M-162. ISSN 0042-2738. Jensen, Gregory (February 22, 1984). "London's West End outscores Broadway with bonanza of hit-and-miss musicals", United Press International a b Zolotow, Maurice "Guys, Dolls and Runyon". The New York Times, Nov. 12, 1950, Section 2, p. 1,3. Brennan, Clare (2017-12-10). "Guys and Dolls review – larger than life, but with a core of grit". The Observer. Guys and Dolls". Movies & TV Dept. The New York Times. 2012. Archived from the original on 2012-10-21 . Retrieved 2008-12-22.