Hushang Ebtehaj (H. E. Sayeh‎, lit. Shade) is an Iranian poet of the 20th century, whose life and work spans many of Iran's political, cultural and literary upheavals. M براش حرف میزنه.حافظ مچاله میشه اما نه از روی خجالت...تا اینکه یه شب دختره بهش میگه اگه پیک سواری،خونه خالیه بیا دوتا پیک بریم بالا.به هرچی دکتره زنگ میزنه و یه،یک و نیم لیتری جور میکنه و میره خونه دختره و میشینن و دختره حافظ و بغل میکنه و حافظ میگه:

ravi چیه؟ حرف روی آخرین حرف اصلی از حروف همسان ، در انتهای قافیه است . برای مثال ، اگر کلمه ی ‌‌/ نهاده ام/ با /گشاده ام/ به عنوان قافیه ی یک بیت استفاده بشه ، حرف "دال" حرف روی محسوب خواهد شد . de Bruijn, J. T. P.; Ḵorramšāhī, Bahāʾ-al-Din; Ḥasanlī, Kāvus; Neysārī, Salīm; Nīknām, Mehrdād; Purnāmdārīān, Taqī (2007), "Ḥāfeẓ", in Sa′ādat, Esmāʿīl (ed.), Dānešnāme-ye Zabān va Adab-e Fārsī (in Persian), vol.2, Tehran: Farhangestān-e Zabān va Adab-e Fārsi, ISBN 964-7531-62-1

Mir Emad (born Emad al-Molk Qazvini Hasani,‎ 1554 – August 15, 1615) is perhaps the most celebrated Persian calligrapher. Moʿin, Moḥammad (1996). Ḥāfeẓ-e širin-soḵan (in Persian). Vol.1. Tehran: Sedāye Mo′āser. ISBN 978-8-843-59843-4. Mir Emad's son, Mirza Ebrahim, is also known to be a calligrapher. So is Mohammad Amin, Mirza Ebrahim's son. Hafiz" is known as "the tongue of the unseen", his gazelle has something that satisfies everyone. The perfection of beauty, the extraordinary insight, and the greatness of thought have placed him among the other greats of words. So the Sufist deification (or re-deification) of wine and of the wine keeper as well as the Madhushala (मधुशाला) and the neo-Platonian conception of the divine as Absolute Beauty all meld together in Hafiz’s poetry to form an intoxicating yet deeply sad mix. Here again we can notice the parallels between medieval poetry of Chaucerian English and the personal lyric poetry of the Persians.

His life and poems have been the subject of much analysis, commentary and interpretation, influencing post-14th century Persian writing more than any other authorAnd Hafiz’s genius is the extraordinary degree to which they become vivid, natural and spectacularly personal in his hands.