His latest is about a young rapper from Oakland who struggles to deal with the repercussions of his actions. As Jahkor resists his father and then begins to make a tentative connection, Sanders and Wright let us feel the weight of generations — and All Day and a Night, which began in a blast of gunfire, ends as a sad but touching lament.

On Metacritic, the film has a weighted average score of 60 out of 100 based on 15 critics, indicating "mixed or average reviews". His success spawned a seemingly endless series of “hood movies,” of which I became extremely sick of watching.

They also take the time to deeply interrogate the systemic causes for their characters’ actions and their pain. As soft-spoken Jahkor Abraham Lincoln (Ashton Sanders) struggles to keep his dream of rapping alive amidst a gang war in Oakland, CA, his ill-fated life and real-world responsibilities drive him further and further across the line of right and wrong with tragic consequences. Most purchases from business sellers are protected by the Consumer Contract Regulations 2013 which give you the right to cancel the purchase within 14 days after the day you receive the item.

This superb Movie Poster is ready for hanging or framing and you will enjoy viewing this Movie Poster on your walls for many years to come. D. (Jeffrey Wright) whom he never wanted to be like, Jahkor embarks on an unlikely journey of self-discovery, exploring the events that unite them, in hopes of helping his newborn son break a cycle that feels unavoidable.

Instead, it substitutes a Cliffs Notes-style narration that sounds as bored as Harrison Ford’s in “ Blade Runner. Menace” was supposed to be a corrective of sorts to “Boyz N The Hood,” bleaching out any optimism that felt too cinematic.

all content and information unless pertaining to companies, studios or advertisers included on this site, and to movies, TV series and cinemas listed on this site. Filmaffinity - Movieaffinity | Filmaffinity is a movie recommendation site based on the concept of Movie Soulmates. Now, compare this scene to the one in Spike Lee’s “ Clockers” where the same actress puts Jah’s notion into action by fiercely protecting her ward at any cost.Jahkor also ended up offering his services to gangster named Big Stunna ( Yahya Abdul-Mateen II), while also having a relationship with a woman named Shantaye (Shakira Ja’nai Paye) with whom he ends up having a son named Zion. This is relevant because Singleton crafted what I believe to be the ne plus ultra of this type of film. Hollywood’s Black movie greenlighting process is a pendulum that swings back and forth between slave movies and movies like this, both of which profit off our suffering while rarely having anything new to say or to add. She has little to do here except mildly chastise JD, almost invalidating Jah’s statement with her easy surrender.

Abdul-Mateen is quite memorable here, so much so that I wanted to see more of the operation he and his female companion ran. At least they had the terrifying unpredictability of O-Dog, Bill Duke’s unforgettable scene and the luxury of bending their clichés into a fresh perspective because their pioneering film was made 27 years ago. And there are movies out there that do this, that take a tragic story of struggle and hustling and elevate it above what came before. You can see it in the plot details, the nonchalant depiction of casual violence, the flashback structure, the narration, the revenge killings and its bleak pessimism.Elsewhere, however, All Day and a Night plays like an urban crime thriller made with more earnestness than style. To me, [the film] was more about the idea of family and what it's supposed to look like,' the director tells Metacritic. Sanders’ quietly mesmerizing performance refuses to let anyone cast Jahkor as either victim or villain, instead locating a tricky middle ground. I'm a Huge Ashton Sanders fan so I really wanted to like this movie but the writing just didn't do it for me.