This journey will take us across continents and through time periods to experience a journey rooted in the turmoil and tragedies of the twentieth century. Vaghen, 1937: Dana Roze is a 17-year-old girl, who is beginning a brilliant career as a pianist. However, shadows begin to appear over her future as the fascist threat of the Brown Shadow hangs over Europe, at the dawn of the Second World War. The plot of The World Before is split across two timelines, with Kate in 2005 attempting to figure out what happened to this young woman, Dana Roze, and segments where you play Dana herself, starting in pre-war central Europe. Much of the story for both characters takes place in and around Vaghen, a fictional city in a fictional country somewhere between Germany and Switzerland. Kate visits locations frequented by Dana over 60 years before, seeking clues in any remnants and memories that endure.

For the Betrayed achievement, you must choose "Justify yourself" while talking to Leni at Silberspiegel Refuge (Part 2). The other options don't trigger the achievement. I fell in love with this game right away. That's important to note, because when The World Before was first announced, I was skeptical, as I suspect many Syberia fans were. That’s because the ill-fated third game in the series had left such a poor taste in my mouth, to the point where I almost wished the franchise would end there. Then Microids released the playable prologue for Kate's fourth adventure, and while it was still rough around the edges at that point, it hinted at enough possibilities that I became cautiously optimistic. Having now completed the full game, I feel confident in saying this is the game fans have been waiting for since the Syberia series began. As a poignant reflection on Kate's growth as a character, however, it will best be appreciated by longtime fans. Discover two captivating stories with incredibly high stakes written by Benoît Sokal and Lucas Lagravette.In fact, one of the qualities I like most in The World Before is that it doesn’t feel a need to hurry to hold your attention. It’s willing to linger on views, expressions, thoughts as Kate zig-zags across the postcard town on quietly efficient automated trams, pondering her life and Dana’s. Moments set aside for optional ‘introspection’, meanwhile, aren’t merely a convenience to recap events with internal monologue, but punctuation points that create space for events to breathe. Syberia: The World Before is more of an emotional journey than a physical one for its two heroines. It primarily explores who Kate is as a person, but the link between the two women, separated by time, is satisfying when ultimately revealed. As with the first Syberia game, this one ends with a moment that feels like both an appropriate ending and an excellent launching point for further adventures to come, though sadly any new tales will have to be told without the oversight of Benoît Sokal, who passed away before this game was complete. It’s a shame then that some of the narrative’s power is sapped by underwhelming production values and some clumsy delivery. Visually Vaghen’s scenery is evocative, reflecting the town’s evolution through good times and bad, and its population look convincing enough when they’re standing still. The animation and the way they interact with objects is less able to maintain the pretence, however. It’s not quite true to say that sometimes it’s hard to tell the humans from the automatons, but there is a certain puppet-like stiffness and weightlessness about their movements. Despite a slow start and some persistent technical issues that are inexcusable, Syberia: The World Before is a fantastic narrative adventure that continues the series in spectacular fashion, and does Benoit Sokal’s legacy proud. It’s not clear where Syberia as a series goes from here now that the Sokal is sadly no longer around to steer the ship, but I have full faith after playing Syberia: The World Before that Microids is more than capable of continuing to deliver more incredible tales in this universe.

At a technical level, Syberia: The World Before is a bit of a mixed bag. It’s a title that is dripping with detail at every turn and looks absolutely stunning. While it should, theoretically, only take you around twelve to fifteen hours to roll credits, my playtime became wildly inflated as I couldn’t help myself poking around the intricately designed environments and soaking in the atmosphere. This was especially true of Roze’s chapters, with the 1930s setting and the slight steampunk leanings, the series is known for creating a truly spellbinding look. This has always been a series that oozes style and originality, and it feels like, with the current generation of hardware, the developers are finally realizing their vision in full.

Syberia The World Before: Minimum system requirements

Indeed, when it comes to Dana’s sections, many ‘puzzles’ are really daily routines in disguise, such as serving the right drinks in a bar. This is a smart way, I think, for The World Before to spend quality time with its characters and story, as opposed to directing everything towards advancing a wild adventure. As such, I would almost call it a kind of visual novel, not in the sense that there’s loads of reading to do, but that it develops the kind of epic saga that would suit a book. Syberia: The World Before is now Gold and is set to release November 15th, 2022 on PS5 and Xbox Series X|S. Having made its way to PC earlier on in 2022, Syberia: The World Before, has finally made its way to consoles. Being the fourth installment of a beloved franchise is already a daunting task, but, with series creator, Benoit Sokal, sadly passing away during the development cycle, the pressure was firmly on development studio Microids to continue Sokal’s legacy and deliver something that maintained the high standards the series is known for without his valuable oversight. With that in mind, it’s with great pleasure that I can confirm that Syberia: The World Before isn’t just a fantastic narrative adventure, but a title that the late Sokal would have been immensely proud of. Syberia: The World Before Collector’s Edition will be available in November 2022 for PlayStation 5, Xbox Series X|S and PC. The PlayStation 4, Xbox One and Nintendo Switch versions will be released in 2023.

Fans of the franchise will be happy to discover a collector's edition created for the occasion on PlayStation 5, Xbox Series X|S and PC. Set off on an adventure across continents and through time. Play as both Kate Walker and Dana Roze as you get to the bottom of mysteries that have remained buried for too long.But that’s the nature of the beast, and won’t deter genre fans, while any dropped story beats are made up for by the overall rhythm of a compelling plot. And ultimately, the game’s heart is there, not in its machines but in those human stories, in Dana and especially in Kate. It’s her curiosity and longing for meaning that drives this series, and precisely what we need for a good adventure. The World Before allows her to shine, and long may she continue. At the beginning of Silberspiegel Refuge (Part 2), it's enough to examine the objects on the table to complete the secondary objective "Inspect the Common Room". The dual running narratives also have gameplay implications as you will find yourself in control of Dana as well as Kate here, with the game switching to Roze as Kate digs into and uncovers more about her life. The moment-to-moment experience doesn’t change too much between the protagonists, with the core gameplay loops involving the solving of many, many puzzles and sleuthing your way through environments as you look for intel and anything else you can interact with that might help move the narrative along. I’m also not sure why the lore needs to offer up an alternate version of the World War 2, where Hitler and the Nazis are replaced by a fascist organisation called the Brown Shadow, which sounds like an unpleasant Marvel supervillain, and the main victims of their persecution are referred to as Vagerans instead of Jews (although one note explains that the Vagerans are Jewish). It all feels a little too vague, as you hear talk of “nasty times” and “people like us” rather than historical specifics.

Unravel the intertwined fates of Kate Walker, a New-York attorney whose life was turned around by the call to adventure, and Dana Roze, a young and promising pianist in Vaghen whose career is threatened by the shadow of the Second World War. Escape prison, visit abandoned cemeteries, explore high mountains and feel the thrill of adventure.The game follows two timeframes with two characters: Dana Roze, a young pianist in the small fictional Central European country of Osterthal (resembling a mix of Austria, the Czech Republic and Switzerland) in the 1930s and Kate Walker, the protagonist of Syberia series, who is now imprisoned in a salt mine in the fictional Eastern European region of Taiga in early 2000s. Dana graduates from her conservatory by performing the local anthem dedicated to the city of Vaghen, where the fascist Brown Shadow faction (an analogue to National Socialists) have begun to persecute the ethnic minorities and force them into ghettoes.